Ernesto Deira

Buenos Aires, Argentina, 1928 - París, France, 1986

            In the 1960s, Deira, who had initially pursued traditional studies and graduated as a lawyer, joined a group of artists alongside Luis Felipe Noé, Rómulo Macció, and Jorge de la Vega, forming what became known as the "New Figuration." This group sought to distance themselves from both abstraction and classical forms of representation, exploring new techniques such as collage, drippings, and emphasizing expression in their works. Their participation in the exhibition "Otra Figuración" at the Peuser Gallery marked a milestone in the Argentine artistic scene of the time.

            Ernesto Deira's work primarily focused on the human figure, exploring its different facets and meanings over time. From his early works to his later pieces, Deira sought to reflect the complexity and inherent tragedy of the human condition. His style evolved, experimenting with techniques and themes ranging from figurative to abstract, but always maintaining a deep connection with the human condition.

            Throughout his career, Deira received numerous accolades for his work, both nationally and internationally. He was a professor at Cornell University in the United States, expanding his influence and legacy in the academic sphere. Deira also demonstrated a profound interest in culture, philosophy, and literature, elements that were reflected in his work through references and titles. His work was not only visually striking but also conceptually rich, inviting the viewer to reflect on universal themes such as identity, human suffering, and the complexity of existence.