Lux Lindner

Buenos Aires, Argentina, 1966

            Lux Lindner's work spans various creative disciplines, from painting to performance, sound environment, and animation film production. His art, centered on linear drawing, finds its roots in a concern for the historical evolution of Argentina, exploring both its confidential and prophetic aspects. His training began at a technical school and then continued with graphic design studies, where his interest in technical forms led him to painting, influenced by old aeronautics and naval engineering manuals.

            His first solo exhibition in 1990 marked the beginning of a career that renewed certain geometric and formal imaginaries, distancing itself from the predominant trends of the 1980s. Throughout his career, Lindner has participated in numerous solo and group exhibitions, including Catéter Microciclónico (2021) at Fundación Andreani, Choripanipzus.EXE (2021), Monument to the Unknown Smuggler (2018), Falklands Crush Saga (2015), and Bring Me the Head of the Wagnerian Equalizer (2013) at Galería Nora Fisch. His ability to combine styles and techniques, as well as his capacity to provoke reflections on society and culture, have made him a prominent figure in the contemporary Argentine art scene.

            In addition to his work as an artist, Lindner has dedicated himself to promoting community art and art education, using his art as a tool to inspire and unite people. His dedication to the practice of drawing, which he performs daily as a form of reflection, is a fundamental part of his creative process.