Kenneth Kemble

Buenos Aires, Argentina 1923-1998

           Prolific and innovative artist, Kenneth Kemble began his training in Buenos Aires, in the workshop of Raúl Russo, another multifaceted and unique artist, before continuing his studies in Paris, at the Académie Ranson, where he perfected his skills under André Lothe, a master of great artists, including the Argentine Antonio Berni. Kemble was one of the leading representatives of the informalist movement in Argentina, a vanguard that developed an abstract language with a special focus on the sensuality of materials. His interest in experimentation was expressed through a wide range of artistic techniques, ranging from creating collages and assemblages to producing reliefs and both informal and sign-based paintings.

           One of Kemble's most memorable artistic experiences was the exhibition "Arte Destructivo" (Destructive Art) held at the Lirolay Gallery in 1961. With the imprint of collectivity as a driving force, the exhibition was organized around a set of ephemeral works intended to be discarded, making their appropriation by the art market impossible. The authorship of each piece was not explicit and was diluted through confusion and a mix of artists. Furthermore, the proposal challenged the relationship with the viewer by confronting them with discarded everyday objects, deliberately nullifying any instance of aesthetic appreciation or artistic recognition. Through the display and exhibition of ruined umbrellas, dismembered dolls, a torn armchair revealing wool stuffing mimicking the shape of a female vagina, worn-out coffins, a bathtub splattered with paint, fragmented bottles, remnants of boats, and other deteriorated objects, including destroyed informalist works, the inherent violence and aggression of the everyday were explored.

           After a short period, Kemble decided to abandon the informalist experience, which he saw as a transitional phase in which he did not want to be confined. Avoiding confinement in any category was a pervasive motive throughout his career. Additionally, he engaged in intense activity as an art critic and manager. He contributed to the Buenos Aires Herald newspaper, served as director of the Historical Museum of Luján, and for many years was a teacher at the School of Fine Arts "Ernesto de la Cárcova". Rebellious and with a transgressive spirit, throughout his life Kemble dedicated himself to reflecting on the creative process and seeking theoretical and artistic answers. It was an exercise in freedom and metamorphosis, a game in which limits only existed to be surpassed.